Äänimalja Nada Yoga ±1350-1450g ±22cm

Nada Yoga tarkoittaa "yhtenäisyyttä äänen kautta". Tämä on muinainen henkinen taide ja tiede, joka käyttää ääntä sisäiseen muuntumiseen. Äänimeditaatio on universaali polku itsensä oivaltamiseen, joka on kaikkien saavutettavissa ja jota voivat soveltaa kaikki uskontoon tai hengelliseen suuntautumiseen katsomatta.

Soittokapulat tulee tilata erikseen. Mainittu halkaisija on suuntaa antava. 

Käsintehty äänimalja, valmistettu kuparista, tinasta ja kahdeksasta jalometallista (Ag, Ni, Cd, Ru, Pd, Pt, Cr, Mn).

**Käsin taotut äänimaljat**
Käsin taotut äänimaljat valmistetaan kokonaan käsin takomalla. Jokainen yksittäinen äänimalja tehdään huolellisesti käsin takomalla, mikä vaatii useita prosesseja täydellisen käsintaotun maljan muotoon saattamiseksi. Valmistusprosessissa eri metallien seokset (kupari, tina, sinkki, rauta, lyijy, kulta ja hopea) sulatetaan uunissa valmistustarpeiden mukaan, kuten pronssiäänimaljan tai seitsemän metallin äänimaljan kohdalla. Kuumat sulatetut metallit otetaan uunista ja kaadetaan muottiin, jotta saadaan aikaan eri kokoja ja painoja vastaava metallipohja. Sen jälkeen pyöreät metallit otetaan ulos ja leikataan tietyn kokoisiksi ja paksuisiksi metallilevyiksi. Tämän jälkeen levykasat viedään käsintaontaprosessiin, jossa ne takotaan tarkan mittauksen ja maljojen painon ja koon mukaan. 

Käsintaontaprosessissa neljästä viiteen pyöreää metallilevyä pinotaan päällekkäin ja kuumennetaan punaiseksi. Punaiseksi kuumennettuja metallilevyjä takoo asiantunteva käsityöläisten ryhmä niin kauan kuin metalli pysyy kuumana, minkä jälkeen ne taas kuumennetaan jatkotakomiseksi ja äänimaljan muotoilemiseksi. Tätä lämmitys- ja takomisprosessia niputetuilla ja pinotuilla metalliosilla jatketaan, kunnes metallista muodostuu haluttu muoto ja koko. (Tästä syystä taotut äänimaljat ovat yksilöllisesti eri kokoisia ja muotoisia.) Tässä takomisprosessissa metallilevyä täytyy takoa, kun se on punaisen kuuma, sillä silloin metalli on pehmeää ja joustavaa; kun metalli jäähtyy, se menettää pehmeytensä ja joustavuutensa, mikä tekee metallista haurasta ja voi rikkoa maljan takomisen ja muotoilun aikana. Tämä työtapa johtuu siitä, että korkean pronssipitoisuuden omaava metalli tai seitsemän metallin seos on hyvin herkkä lämmölle ja kovettuu jäähtyessään, joten se halkeilee ja murtuu työstettäessä. Näin ollen taottujen äänimaljojen muotoiluvaiheessa muotoilu tehdään vain, kun metalli on erittäin kuuma.

Muotoiluprosessin valmistuttua alkaa yksilöllinen työ. Tässä vaiheessa jokainen malja saatetaan yhtenäiseen muotoon ja kokoon, mikä tehdään myös samalla lämmitys- ja takomisprosessilla tarkan muodon saavuttamiseksi. Muodon ja koon viimeistelyn jälkeen hienompi takomisprosessi huolehtii maljojen lopullisesta virityksestä ja muotoilusta. Yksittäiset äänimaljat sitten kaiverretaan ja joskus värjätään, viimeistellen maljojen karkea pinta hienoksi, tarkastellen sisä- ja ulkopintaa viimeistelytarpeiden mukaisesti.

Nada Yoga means 'unity through sound'. This is the ancient spiritual art and science of inner transformation using sound. Meditation on sound is a universal path to self-realization that is accessible to all and can be applied by people of any religion or spiritual orientation.
Rubbing sticks are to be ordered separately.
The mentioned diameter is to give an indication. The scales are manufactured manually and so the diameter can vary.

Handmade singing bowl made of copper, tin and 8 noble metals (Ag, Ni, Cd, Ru, Pd, Pt, Cr, Mn).

Beaten Singing Bowls
Beaten or hand hammered singing bowls are completely made by a hand hammering process. In beaten singing bowls, every single singing bowl is carefully hand beaten, which requires several processes to finish up and being shaped into a perfect hand hammered bowl. In the making process, first the various compositions of metals as raw materials (Copper, Tin, Zinc, Iron, Lead, Gold and Silver) will be melted in a furnace, depending on manufacturing needs such as for a bronze singing bowl, or for a seven metals singing bowl. The hot melted metals are taken from the furnace and poured into a mould, to prepare a metal base for the various sizes and weights. Then, the round metals are taken out and cut into the specific metal plates in relative size and thickness. After that, the stacks of plates are brought for the hand beating or hammering process, following precise measurement and categorising for weight and size of the bowls. For the hand hammering process of the making of singing bowls, four to five round metal plates are piled up on top of each other and heated to red hot. The red hot burned metal plates are hammered by a group of expert artisans, as long as the heat remains in the metal, and then again are processed to red heating, for a continued beating for the shaping of the singing bowl. This heating and beating process with the bundled and piled up metal parts continues until a desired shape and size forms from the metal. (That is why the hammered or beaten singing bowls will get proportionately different in size and shape with each individual bowl). In this hammering process of the singing bowls, the metal plate needs to be hammered and beaten when it is red hot, as the metal remains soft and flexible; when the metal gets cooler, it will lose its softness and flexibility. which in turn will make the metal brittle, so it will break the bowl while being hammered and shaped. The reason behind this working process is that metal with a high content of bronze, or with a seven metal mixture, is very sensitive to heat and gets harder when it loses its hot temperature, so it will have cracks and break when worked on. So, in this shaping stage of hammered singing bowls, the shaping is done only while the metal is very hot.

After completion of the shaping process of the desired bowls, the individual work begins. At this stage, each bowl is brought into a uniform shape and size, and this also should only be done using the same heating process and then hammering the precise shape. After finalising the shape and size, a finer hammering process makes for the final tuning and shaping of the bowls. The individual singing bowls are then chiselled and sometimes coloured, by turning the rough surface of the bowls for the fine finishing process, and checking the inside and outside surface, according to finishing needs.

Different types of sound bowls produce different sounds and vibrations, which makes them suitable for different uses. Let's look at some common types of sound bowls and their uses:

1. Metal Sound Bowls (Tibetan Bowls):
- Manufacturing: Traditionally made from a mixture of different metals.
- Sound: Produce a complex, multi-layered sound that lasts a long time.
- Usage: Commonly used in meditation, relaxation and spiritual exercises.
- Suitability: An excellent all-purpose bowl for various purposes, including group meditations and personal use.

2. Crystal sound bowls:
- Manufacturing: Mostly made of purified quartz crystal.
- Sound: Clear and clean sound that resonates clearly.
- Use: Popular for chakra balancing, sound therapy and energy work.
- Suitability: Ideal for personal use and therapeutic purposes, especially when focusing on a specific chakra or energy field.

3. Body Bowls:
- Construction: Typically made of metal, designed to be worn directly on the body.
- Sound: Deep and rich in resonance, meant to be felt physically in the body.
- Use: Used for physical healing, relaxation and alleviation of physical ailments.
- Suitability: Great for promoting physical and emotional well-being, especially good for combining physical touch and sound.

4. Chakra Bowls:
- Fabrication: Can be both metallic and crystalline, often tinted or tuned to match specific chakras.
- Sound: Specific pitches that resonate with specific chakras.
- Use: For chakra balancing, meditation and spiritual work.
- Suitability: Perfect for those who focus on chakra work and energy harmony.

5. Handmade/Unique Sound Bowls:
- Manufacturing: Individually manufactured, often unique materials and designs.
- Sound: Unique sound profile that varies by manufacturer and materials.
- Use: Special purposes such as unique meditations or personal use.
- Suitability: Suitable for those who are looking for a unique sound experience or want a special cup for personal use.

6. Himalayan Bowls:
- Manufacturing: Traditional style, often hand-struck, made of metal alloy.
- Sound: Rich and multidimensional, lasts a long time.
- Use: Meditation, spiritual ceremonies, relaxation.
- Suitability: Suitable for traditional spiritual practices and group meditations.

When choosing a sound bowl, it is important to think about your personal needs and what you want to achieve by using the bowl. Different types of bowls produce different sounds and vibrations, so by experimenting with different styles you can find the one that best suits your purpose.

Singing bowls, also known as singing bowls, are traditional instruments with roots in Asian cultures, especially Tibet, Nepal and India. Their history goes back thousands of years, and they have been used for different purposes throughout the ages.

1. Origin and Historical Use: The origin of sounding bowls is somewhat unclear, but they are believed to date from around 560-480 BC. They may have originally been part of Buddhist practice, but they have also been used in other religious and spiritual contexts throughout Asia. The original bowls were made from various metals such as copper and tin, and the way they were made was a complex and artistic process.

2. Uses: Singing bowls have traditionally been used as part of meditation, spiritual practice and rituals. Their soft, vibrating sound helps create a calming and focused state, which is essential in meditative and spiritual practices. In addition, they have also been used for therapeutic purposes.

3. Spread and Modern Use: In recent decades, the popularity of sound bowls has grown in Western countries. They are now widely used in yoga, meditation, sound therapy and other forms of spiritual well-being. Their unique sound is believed to promote relaxation and stress management.

4. Manufacturing and Materials: Traditional sound bowls are made by mixing different metals, which gives them a unique sound and resonance. Today, they can be made from traditional or more modern materials and are available in different sizes and shapes.

5. Cultural Significance: The use of sound bowls is deeply connected to the spiritual traditions of Asia and plays an important role in many rituals and ceremonies. Their sounds and vibrations often symbolize inner harmony and balance, which is central to many Eastern philosophies and religions.

Although the exact history and origins of sound bowls may vary, their importance and influence in meditation and spiritual practice has remained significant throughout the centuries.

Crystal sound bowls are a modern variation of traditional metal sound bowls, and they have gained popularity especially in the field of meditation, sound therapy and spiritual well-being. Here are some key facts about crystal singing bowls:

1. Manufacturing material: Crystal sound bowls are typically made of high-quality quartz crystal. They can be either pure, transparent quartz or a mixture of quartz and other minerals or metals that give the bowls different colors and properties.

2. Sound quality: Crystal sound bowls produce a very clear, resonant and long-lasting vibrating sound. This sound is particularly pure and powerful, which makes them popular in sound therapy and meditation.

3. Uses: They are widely used to promote mental well-being, relieve stress, meditate and balance the chakras. They are believed to help achieve deep relaxation and can promote healing and spiritual growth.

4. Chakras and Vibrations: Crystal singing bowls of different sizes and tones are often associated with different chakras. For example, a certain pitch or color can correspond to a certain chakra, helping to harmonize and balance the body's energy fields.

5. Care and Cleaning: Crystal sounding bowls should be handled with care, as they are more fragile than metal sounding bowls. They should be cleaned with a soft cloth and avoid using chemical cleaning agents. Protection from direct sunlight is also recommended.

6. Meditative and Therapeutic Uses: Crystal sound bowls are often used as part of meditation exercises, yoga classes and sound therapy sessions. They are considered to help with concentration, calming the mind and strengthening the body-mind connection.

7. Aesthetics: Crystal sound bowls are also visually beautiful, and their transparent or colored design makes them a popular choice for both spiritual practice and as a decorative element.

The popularity of crystal sound bowls stems from their unique sound and visual beauty, as well as their ability to create deep relaxation and promote mental well-being. Their clear and pure tone makes them a valuable tool for many who practice meditation, sound therapy or other spiritual practices.

Proper cleaning and care of sound bowls is important to maintain their quality, sound and longevity. Here are some tips for cleaning and caring for your vocal cords:

1. Cleaning Dust and Dirt: Start by wiping the sound bowl with a clean, dry cloth to remove dust and dirt. Avoid harsh cleaning agents or abrasives that can scratch the surface of the bowl.

2. Use of a damp cloth: If the bowl has stains or is dirty, you can use a lightly moistened cloth. Make sure the cloth is only slightly damp so the water doesn't damage the metal.

3. Drying: After cleaning, dry the bowl carefully with a soft cloth. Leave it for a while in an open space to dry to make sure that no moisture remains on the surface or inside the bowl.

4. Avoid Wet Environments: Store the sound bowl in a dry environment to prevent the metal from rusting or darkening. Moisture can damage the surface of the bowl and affect its sound.

5. Use and Storage: When not using the bowl, keep it away from dust and direct sunlight. In some cases, it may be good to store the sound bowl in a padded bag or box that protects it from bumps and scratches.

6. Avoid Chemicals: Do not use chemical cleaners or solvents to clean the sound bowl. This can damage the surface of the metal and affect its sound quality.

7. Regular Inspection: Check regularly for possible scratches, dents or rusting. If you notice significant damage, do not use the bowl until it has been assessed and, if necessary, repaired by a professional.

8. Careful Handling: Always handle the sound bowl with care. Do not drop it and do not hit it too hard, as this can damage the bowl and affect its sound.

With proper care and attention, your voice bowl will retain its beautiful tone and remain in good condition for years to come.